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This book is intended to assess the significance of kaidan, specifically its multi-dimensional reflection of an impact on Japanese culture in the Edo period. The legacy of Japan's cultural efflorescence in the late eighteenth century was far-reaching, its fruits often seen as epitomizing the entire Tokugawa period. In the years between the Kan'en era (1748-1751) and the chilling effects of the Kansei Reforms (1790), there was no dearth of innovative belletristic expression, but in the area of fiction, the yomihon of Ueda Akinari (1734-1809) eclipse all else. Professor Reider's outstanding study treats this unusual scion of a remarkable age, contextualizing his work from a unique perspective. Under various noms de plume, Akinari authored significant works in several genres of both poetry and prose, but his greatest opus is incontrovertibly his Ugetsu monogatari (Tales of Moonlight and Rain), a collection of nine stories that revolutionized tales of the supernatural, elevating the genre to unprecedented levels of style and sophistication. Such a work deserves - and has duly received - ample critical attention from scholars on both sides of the Pacific, resulting in a plethora of secondary literature, to which contribution of a truly original piece of scholarship constitutes no small challenge. Professor Reider's study not only fills numerous lacunae, but presents many interpretations that will be new to English-speaking audiences. Among these are her astute analysis of the role of "obsession" (shunen) in the stories, and her recognition of Akinari's bunjin portrayal of an ideal world in which social justice ultimately prevails as mirroring a strong social consciousness. Throughout, Professor Reider's arguments are presented in cogent terms. Tzvetan Todorov maintains that literature of the fantastic - which includes tales of the supernatural - succeeds as art only to the extent that it is able to present events and characters to the reader suspended in a state of uncertainty whether all is a product of illusion or of reality, for "once we choose one answer or the other, we leave the fantastic for a neighboring genre, the uncanny or the marvelous." The attainment of this state is no mean stylistic feat for a writer, but its efficacy depends on a readership capable of entertaining such a temporary suspension of judgment. It must be a readership whose imagination is hobbled neither by a crude credulousness nor by a sterile positivism.
- Sales Rank: #6843057 in Books
- Published on: 2002-08
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.50" w x .75" l, 1.05 pounds
- Binding: Hardcover
- 204 pages
Most helpful customer reviews
7 of 8 people found the following review helpful.
One of the best resources on kaidan ever published
By Zack Davisson
I first encountered these articles in the academic journal of Asian Folklore Studies, when I was writing my Master's thesis on yurei, the Japanese ghost. The two main articles, "The Emergence of Kaidan-shu" and "The Appeal of Kaidan" formed the backbone of my research, and I am thrilled to see them collected here in book form.
Noriko T. Reider probably knows more about kaidan, Japanese strange stories, than any other person around. When I was doing research for my MA, I read through literally hundreds of books, both in English and Japanese, and it was Reider's articles that I kept coming back too. She has a way of writing that is concise and readable, academic without drowning in its own language like books like Civilization and Monsters: Spirits of Modernity in Meiji Japan which is so dense as to be almost unreadable.
"Tales of the Supernatural in Early Modern Japan, Kaidan, Akinari, Ugetsu Monogatari" has four chapters, each with a different focus. "The Emergence of Kaidan-shu" is a history lesson on from its beginnings in early folktales to the kaidan-boom of the Edo period. Next, "Belief in the Supernatural in the Edo Period" discusses the attitudes towards the supernatural in Edo period Japan and how they created the atmosphere in which the kaidan genre could arise. "The Appeal of Kaidan" discusses people's fascination with gory and grotesque stories, and what is it that drives people to tales of the unknown. The last chapter, "Akinari and Kaidan Ugetsu Monogatari" discusses in depth Ueda Akinari, author of Tales of Moonlight and Rain, possibly the best kaidan book ever written.
While the pure history of the first few chapters is interesting, Reider's focus on the concept of obsession and the role it plays in Akinari's celebrated book brings her collection to a higher level. She clearly has a passion for Akinari's work, and it shows as she dissects the nine tales in Akinari's book, looking into the driving nature of each character to focus on and pursue what obsesses them.
There is a dearth of good material writing on the fascinating world of Japanese kaidan, and it is a real shame. But of what is available, Reider's work is definitely the cream of the crop, and if I was a professor grading a paper that discussed Japanese supernatural in any way, and Reider's name and "Tales of the Supernatural in Early Modern Japan, Kaidan, Akinari, Ugetsu Monogatari" was not in the bibliography, you would need a pretty good excuse to get a passing grade.
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